Live Aid 1985: A Day of Magic...
was shining ... so were the people, and so were the bands," U2's Bono
said after coming off stage, one of the undoubted major stars of "The
Global Jukebox," Live Aid 1985.
"There was something totally
unique and I am not sure I've ever felt it since," the man who kicked
off Live Aid, Francis Rossi of Status Quo, told The Observer newspaper.
"They weren't just people paying to see a show. They were part of it. There was such a euphoric feeling in that arena."
wife Lynne I was lucky enough to be part of the 72,000-strong audience
at London's Wembley Stadium for what became one of Britain's most
For once the reality trounced the build-up. It
was much, much bigger than the publicity. Few music fans will forget
what they were doing on July 13, 1985.
It didn't make poverty
history in Ethiopia but, along with memories of U2, Queen, Madonna, The
Who, Elton, George Michael, Bowie, Jagger and McCartney, everyone who
watched will still shed a tear recalling that haunting Canadian video of
starving, dying Ethiopian children played to "Drive" by Cars ("Who's
going to take you home tonight?").
There had been other big rock and pop benefits, of course, like the Concert for Bangladesh at Madison Square Garden in 1972.
Bob Geldof's genius was to use the latest TV satellite technology to
link up Wembley in north London, JFK Stadium in Philadelphia and a host
of smaller venues in other countries to blitz the world's TV networks.
was the first truly global concert, and people felt empowered and
exhilarated. They felt they really could help change the world.
1.9 billion viewers in 150 countries - the biggest-ever TV audience -
watched. Promoter Harvey Goldsmith believed it would raise $1 million.
The real figure was $70 million, later to reach $140 million in total.
Super-conjuror Geldof's plans may have been improbably mega-scale, but
If it wasn't quite the hottest, it was the longest
day I can remember - beginning with an 8 a.m. Saturday dash to Wembley
to scramble into the stadium to try and claim a prime spot.
ended with watching the finale in Philadelphia on TV at 4:05 a.m.
Sunday, a full 20 hours later - a day played out in both Britain and the
U.S. in glorious sunshine and in a mood of electric energy, hope and
So what was different back in 1985?
Well, for a
start then it was much easier to get tickets. Lynne got down to the
Wembley box office when they went on sale and had to queue for a massive
Probably the most important difference is then,
there were no mobiles, no texts, no camera phones. We were locked inside
Wembley incommunicado with the outside world, not knowing how massive
was the event we had become part of.
David Hepworth, one of the
BBC's anchors for the event, told CNN: "You just thought, I'm in here,
it's hot, all these bands playing, it appears to be going rather well.
"It was only went you went home (and) my wife said, 'That was astonishing!'"
to the 1985 event, not everyone had seen it as one of the biggest shows
of all time. I told one of the chiefs at the paper where I worked that I
was going to Live Aid, and would he like a piece for Monday's edition.
No, he said, the Sunday papers would do it and no one would be much
interested by Monday. But they are still writing about it 20 years
later! (My former paper was advertising a Live 8 special section this
The slightly ramshackle organization in 1985 (would you
believe they were only selling three items of memorabilia - the program,
a poster and a T-shirt?) added to the buzz. Just how would it go?
the stadium beneath two monster Live Aid graphics in the agonizing
two-hour wait for the show to go on, no one had thought of warming up
the crowd to keep folks in good humor. The mood was, well, tense. An
American in front of me stood up and announced we were going to do "the
wave." He was met by a stream of abuse telling him, with Geldof-type
expletives, to sit down, followed by a hail of bottles. A direct hit on
the head from an apple knocked him over and he gave up.
Then, if I
recall correctly, someone had the bright idea of putting on a Beach
Boys tape. The crowd sang, "the wave" got going, Prince Charles and
Princess Diana were greeted with a fanfare of trumpets. By the time
Status Quo got things moving just after midday with "Rocking All Over
the World," the crowd was in a fine mood. It just grew and grew from
How Geldof persuaded so many super rock star egos to come off after just 17 minutes each I don't know.
great man himself appeared for a few little chats, conducting himself
with unexpected decorum (i.e., no swearing). To say this was not your
average rock concert audience is an understatement. No indie, cutting
edge or boy bands, so the audience was rather 25-35, white and middle
class. Some people had arrived with hampers and spread out blankets in
front of the stage, summer opera concert style, thinking they could
claim that as their space! (They were soon disabused).
Geldof's set, the crowd sang to him... the well-known heavy metal
anthem, "For he's a jolly good fellow." "For he's a jolly good fellow."
The Boomtown Rats singer made his own point about the
dying in Ethiopia when he got to a line in "I don't like Mondays" which
goes, "And the lesson today is how to die" and stopped abruptly, raising
his fist in the air.
But it was still touch and go. Many of the
opening acts were people who had agreed to sing on Geldof and Midge
Ure's record "Do they know it's Christmas?" and that early part of the
Wembley action had a bit of a second-on-the-bill feel to it.
U2 changed all that.
was the moment which assured the band its place in history. In what
seemed an endless 12-minute rendition of "Bad" (with bits of the Rolling
Stones and Lou Reed thrown in) Bono - somewhat uncomfortably dressed
for a hot day in black coat, black leather trousers and knee length
black boots - vaulted down into the photographer's pit to dance with a
young girl fan.
He knew how to connect with the audience. The crowd went wild.
show-stopping performance of the day, as everyone knows by now, was
Freddie Mercury of Queen. The group had rehearsed their set for a week,
and it showed.
They began with "Bohemian Rhapsody" and "Radio Ga
Ga" and ended with "We Will Rock You" and "We Are The Champions" - with
the whole crowd singing along. It was a triumph for Freddie, one which
he repeated by filling Wembley 364 days later for a Queen concert. I was
there too, and he was superb. Sadly 1986 was his last big performance.
were some rather crazy live video links to unheard-of bands in distant
places like Warum at "Austria for Afrika" in Vienna, plus videos from
Yugoslavia and Norway. But things had started to really rock when, at 5
p.m. London time, 1200 ET, the link went to Jack Nicholson in
Philadelphia and he introduced Bryan Adams (would you believe Ozzy
Ozbourne had gone on at JFK at the non-very heavy metal time of 9:52
U2, Dire Straits and Queen followed in quick succession
at Wembley followed by showing of the the Bowie-Jagger video "Dancing in
the Street." Rumor had it they wanted to do a duet, Bowie in Wembley
and the ex-Stone in JFK ... then someone remembered the little matter of
the several-second satellite sound transmission gap.
that, Bowie changed the mood. He had given up the last song in his
allotted 20 minutes to make way for the Canadian Broadcasting
Corporation's video on the Ethiopia famine, song by Cars. Many people
Then The Who (reunited somewhat kicking and screaming for
the event) came on. I recall they were very tense, glowering at each
other, but blasted out "My Generation" and "Pinball Wizard" like there
was no tomorrow. (I read subsequently the BBC blew a fuse in its U.S.
transmission appropriately when Daltry got to: "Why don't you all
Elton John was next - wearing a silly hat, I
remember, but pleasing the crowd rattling through old favorites like
"Bennie and the Jets" and "Rocket Man."
As an unbelievable A-list
of rock icons was rolled out, it is well to remember who didn't turn up
in either the UK or the U.S. to give their services for free. Three big
stars of the time weren't there - Michael Jackson, Bruce Springsteen
and Prince, though Prince sent a video.
Two of the three
surviving Beatles, George Harrison and Ringo Starr, didn't show,
according to the unofficial Live Aid Web site, apparently fearful of
being forced into a Beatles "reunion" with Julian Lennon taking the
But that didn't stop The Who reuniting ("An offer we
couldn't refuse," Roger Daltrey said) or the Stones turning up in
Philadelphia and performing separately. Holly Johnson of Frankie Goes to
Hollywood said later it was a disastrous decision by his band not to
take part, and Stevie Wonder has made sure he is there in Philadelphia
Much was made in '85, particularly in the TV coverage,
of Phil Collins' dash from Wembley to JFK on Concorde. (Quote of the
day: "I was in England this afternoon. Funny old world, innit.")
plane flew over Wembley and dipped its wings in salute. Collins gave
faultless performances at both venues, at JFK appearing with Eric
Clapton and then Robert Plant and Jimmy Page, as well as on his own. You
had to admire his guts.
The last of the three most memorable
Wembley performances of the day was by George Michael, then part of the
duo Wham! He sang his part of "Don't Let The Sun Go Down On Me" with
Elton and Andrew Ridgeley majestically. He could do well as a solo
artist, I remember thinking.
It was now rather dark and a man
appeared at a grand piano and began playing but his microphone wouldn't
work. Who was this? Ah yes, it was Paul McCartney trying to do "Let it
Be." To think of, it with those tight turnarounds and lack of sound
checks, it was a wonder there weren't many more technical foul-ups like
this. The crowd sportingly sung the song for him until the mike was
finally activated after two minutes.
The Wembley finale then
followed with the most glittering array of famous names since they made
the cover for "Sgt. Pepper's Lonely Heart's Club Band" - and this time
they were real people. They sung "Don't They Know It's Christmas" before
McCartney and Pete Townsend hauled Geldof onto their shoulders. A
That was not the case in Philadelphia where, in
front of a larger crowd of 90,000, Lionel Ritchie led singing of "We Are
The World," and Harry Belafonte - rather than the Jaggers and Dylans of
this world - was somehow focus for the camera.
We had dashed
home from Wembley to see the Philadelphia concert on TV, not doing too
badly in terms of acts missed and arriving in the middle of The Cars
singing "Heartbreak City." I bought the LP. Then a young Madonna
prancing around the stage with The Thomson Twins singing "Revolution."
How young she looks now when you watch the recording - and how brunette.
This was the best part of the U.S. program. Eric Clapton rendered a powerful "She's Waiting" and "Layla."
Plant and Jimmy Page were playing together for the first time since the
death of drummer John Bonham five years earlier, but they weren't
billed as Led Zeppelin. They didn't allow their set to go out on the
recent CD because they didn't think it was up to scratch. Sorry, but I
thought they were great.
"Any requests?" asked Plant, knowing
full well the answer. "Whole Lotta Love" and "Stairway to Heaven" - said
to be the most requested record of all time - would do just fine by us.
to Mick Jagger and Tina Turner writhing to "It's Only Rock and Roll."
What can I say? Two cats on hot bricks, and one of the enduring Live Aid
images. She said afterwards she had stamped her high heel on his foot.
Something clearly got him going, though he seemed to have visited a
rather eccentric tailor to buy his outfit.
Nearly the end in
Philadelphia. Enter Bob Dylan, who sparked a row by suddenly suggesting
that some of the money raised should go to American farmers. On this day
of rocking internationalism his bit of U.S. nationalism was considered
by Geldof "crass." They held a separate Farm Aid concert later that
year, which was a much better thought.
Dylan was said to have
bumped Peter, Paul and Mary to be backed for "Blowing in the Wind" on
acoustic guitar by Rolling Stones Ronnie Wood and Keith Richards. To say
they looked tired would be an understatement. Richard banged the
microphone with his guitar. Wood seemed to take a dislike to his
instrument and kept trying to hand it to someone backstage.
mind, the good news from the BBC was that $3 million had been raised
already to try to help victims of the Ethiopia famine - a figure which
was to rise to $140 million by the time the charity was dissolved in
Jools Holland said during one of the TV links that he had
been driving through London and, on this hot summer night, the sounds of
Live Aid were blasting out from every bar in the city. Midge Ure later
reported a street party atmosphere with people inviting neighbors and
even complete strangers into their homes.
We finally got to bed at 4 a.m. - pure magic. A day never to forget.
"It was one of those events. ...People wanted to feel something - and all feel it together."
Kemp of Spandau Ballet told The Observer: "There was this sense of a
grand event going on that could equal England winning the World Cup in
1966 or the Coronation of 1953.
"This is something that would be
stamped on everybody. It is a day when, no matter how young you were,
you remembered where you were."
(c) CNN.com by Graham Jones